Series: Rannoch/Fraser Publication Order, #4
Publisher: Kensington, April 2011
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Nothing is fair in love and war. . .
Europe's elite have gathered at the glittering Congress of Vienna--princes, ambassadors, the Russian tsar--all negotiating the fate of the continent by day and pursuing pleasure by night. Until Princess Tatiana, the most beautiful and talked about woman in Vienna, is found murdered during an ill-timed rendezvous with three of her most powerful conquests. . .
Suzanne Rannoch has tried to ignore rumors that her new husband, Malcolm, has also been tempted by Tatiana. As a protégé of France's Prince Talleyrand and attaché for Britain's Lord Castlereagh, Malcolm sets out to investigate the murder and must enlist Suzanne's special skills and knowledge if he is to succeed. As a complex dance between husband and wife in the search for the truth ensues, no one's secrets are safe, and the future of Europe may hang in the balance. . .
Realistically, there’s no way to learn the entire history of the world in the typical K-12, four-year college education. I get that. But when I come across historical events like the Congress of Vienna, portrayed in Teresa Grant’s Vienna Waltz, I wish we could.
A little background
From November 1814 to June 1815, Europe’s latest and greatest met in Vienna to work together to create peace in the war-torn continent. Among them were Austria, Britain, France, and Russia. One can only imagine the drama.
One like Grant. Her Vienna Waltz opens with the tsar’s paramour, Princess Tatiana, is found murdered in her apartments, Suzanne and Malcolm Rannoch, British attache, find themselves on the hunt for the killer. Haunted by their own rocky marriage of convenience, a building attraction, the whispers of Malcolm’s relationship with Tatiana, and not to mention the monumental task of navigating through sticky social situations, their mission is far from easy.
The dance has, in other words, begun.
Vienna Waltz would have caught my attention regardless, due to the prospect of a new piece of history to discover. But it was the drama, the need to know just how Malcolm and Suzanne turned out, that kept me reading. With the massive amount of characters that stole the spotlight, their story kept the novel grounded.
Unfortunately, like so many historical fiction novels, Vienna Waltz fell victim to the dreaded info dumping. Some details helped portray the atmosphere, the setting, the mood. But others became too much and, instead of bringing the story to light, weighed it down.
For those who like a little bit of intrigue with their history, Vienna Waltz will hit the spot.