Publisher: Fantagraphics, January 2013
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A mysterious traveler gets off the train in a small village surrounded by a thick, sinister forest. He is searching for Delphine, who vanished with only a scrawled-out address on a scrap of paper as a trace. In his newest chiller, Richard Sala takes the tale of Snow White and stands it on its head, retelling it from Prince Charming's perspective (the unnamed traveler) in a contemporary setting. This twisted tale includes all the elements of terror from the original fairy tale, with none of the insipid saccharine coating of the Disney animated adaptation. Yes, there will be blood.
Originally serialized as part of the acclaimed international series, Delphine is executed in a rich and ominous duotone that shows off Sala's virtuosity just as much as last year's full-color post-apocalyptic horror fantasy The Hidden did; punctuated with stunning full-color chapter breaks.
Delphine, a twisted take on the famous Snow White tale, tells the story from Prince Charming’s perspective as he searches to save his lost love. In the guise of a young university student, the hero traverses roads, woods, dangers and disguises to find out what happened to Delphine, his girlfriend that returns home at the end of the semester to help her struggling father. However, his journey changes him in ways that he can’t imagine.
I’m split on this book. To start, the good:
Sala does an amazing job of evoking emotions: fear, danger, sadness, and hope all pour through his pages, his images. I was surprised at his basic color palette, but as I read, it suited Delphine well. The neutral colors allowed the hero and his task to jump through the pages.
I didn’t realize Delphine was a graphic novel and, unfortunately, I’m not much of a graphic novel fan. Yet I was surprised how hooked I got in the story despite myself.
Now, let me explain the “despite myself” comment. Delphine follows in the history of the Grimm fairy tales, not Disney. In short, it’s dark, gruesome, a little violent, and a little more disturbing. It was entirely too violent for my taste, and the depiction in the images pushed me a little too far at times.
This isn’t a story to read to your kids at bedtime, or even for young teens – there’s a lot of cursing and graphic content. I expected this to be a little more like Coraline – creepy, but not violent. Delphine dives into the dirty, graphic, scary side of forests, spells, witches and fairy tales.
In the end, I’m not sold on the graphic novel or the dark side of fairy tales, and especially not together. Yet, there’s a majesty to Sala’s work that I can’t help but admire. While Delphine isn’t exactly my cup of tea, it’s a great piece of work.