Series: Outlander #2
Publisher: Bantam, August 2001
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With her now-classic novel Outlander, Diana Gabaldon introduced two unforgettable characters—Claire Randall and Jamie Fraser—delighting readers with a story of adventure and love that spanned two centuries. Now Gabaldon returns to that extraordinary time and place in this vivid, powerful follow-up to Outlander. DRAGONFLY IN AMBER For nearly twenty years Claire Randall has kept her secrets. But now she is returning with her grown daughter to Scotland’s majestic mist-shrouded hills. Here Claire plans to reveal a truth as stunning as the events that gave it birth: about the mystery of an ancient circle of standing stones... about a love that transcends the boundaries of time... and about Jamie Fraser, a Scottish warrior whose gallantry once drew a young Claire from the security of her century to the dangers of his. Now a legacy of blood and desire will test her beautiful copper-haired daughter, Brianna, as Claire’s spellbinding journey of self-discovery continues in the intrigue-ridden Paris court of Charles Stuart... in a race to thwart a doomed Highlands uprising... and in a desperate fight to save both the child and the man she loves.
Claire Randall Frasier has lived the past twenty years believing that Jamie was dead. And finally, she has gathered the courage to go back to Scotland for the first time in nearly two decades to discover what happened to him at the Battle of Culloden.
Dragonfly in Amber is, quite simply, an emotional roller coaster ride. Gabaldon’s narrative switches between 1968 Claire, a woman who is trying to make it work after she loses the love of her life and 1740s Claire, trying desperately to stop the fall of Scotland. While the same women, these two characters are vastly different. It’s hard to believe t
While the same women, these two characters are vastly different. It’s hard to believe that 1740s Claire could be considered naive, considering what happens to her in Outlander, but she embodied it again and again as they worked to stop Charles. Yet naive doesn’t mean stupid. I loved how she stood up for herself and others in a society where women weren’t often allowed or encouraged to do so.
On the other hand, 1968 Claire was charming, engaging, and initially allowed a little of her sorrow to show. All naivete was gone, erased by the loss of her husband, a scar she hid well. It’s this Claire, this dynamic, fascinating character, that was the star of Dragonfly.
She was cool and composed on the outside, an exterior that hid rioting emotions: guilt, wistfulness, joy, and sorrow. It was only once she, Brianna, and Roger started their hunt for Jamie that this calm composure began to crack.
It’s been a while since a book made me feel the way Dragonfly did. From the battle scenes of 1740s Scotland to the drafty graveyards of the 60s’, Gabaldon tugged – no, YANKED – at the heartstrings.
Yet the second Outlander installment did have its faults. There were pages of information, large sections filled with what felt like the most minute details of the French court, the Scottish towns, and everywhere in between, that could have been summarized or possibly skipped entirely. Maybe this is more of personal preference; I wanted the story to get on with it.
In retrospect, that was a minor detail. The beauty of Dragonfly in Amber isn’t in the particulars of the setting or the descriptions of dress. Instead, it lay in Claire, a woman torn between two marriages, two times, and two worlds.