Publisher: Ballantine Books, January 1st 1970
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Now the incomparable team of psychologist Alex Delaware and homicide cop Milo Sturgis embark on their most dangerous excursion yet, into the dark places where risk runs high and blood runs cold ... a story tailor-made for the nightly news: Dylan Meserve and Michaela Brand, young lovers and fellow acting students, vanish on the way home from a rehearsal. Three days later, the two of them are found in the remote mountains of Malibu --- battered and terrified after a harrowing ordeal at the hands of a sadistic abductor.
The details of the nightmarish event are shocking and brutal: The couple was carjacked at gunpoint by a masked assailant and subjected to a horrific regimen of confinement, starvation and assault. But before long, doubts arise about the couple's story, and as forensic details unfold, the abduction is exposed as a hoax. Charged as criminals themselves, the aspiring actors claim emotional problems, and the court orders psychological evaluation for both.
Michaela is examined by Alex Delaware, who finds that her claims of depression and stress ring true enough. But they don't explain her lies, and Alex is certain that there are hidden layers in this sordid psychodrama that even he hasn't been able to penetrate. Nevertheless, the case is closed --- only to be violently reopened when Michaela is savagely murdered. When the police look for Dylan, they find that he's gone. Is he the killer or a victim himself? Casting their dragnet into the murkiest corners of L.A., Delaware and Sturgis unearth more questions than answers --- including a host of eerily identical killings. What really happened to the couple who cried wolf? And what bizarre and brutal epidemic is infecting the city with terror, madness, and sudden, twisted death?
If you disappeared, would anyone notice?
That’s the gamble young lovers Dylan Meserve and Michaela Brand risk when they stage their own abduction and horrific ordeal. The romance of their harrowing escape fades away as they tell their story over and over to the police and, slowly, it falls apart. When the real story emerges, Michaela Brand is sent to forensic psychologist Alex Delaware.
You’d think that would be the entire story, right? It’s got tension, drama, even tragic(cally misled) young lovers – the whole nine yards. But you’d be wrong, as I was – all this occurs in the first few chapters of the book.
When I picked up Jonathan Kellerman’s Gone, I was looking for another police procedural to fill the void between “In Death” releases and the wait until my latest Sue Grafton request arrived at the library hold shelf. Alex Delaware, with his background in psychology and massive story library, felt like the right fit.
Maybe it’s because I started on book 20, but Alex and I… well, we just didn’t jive. Not that I disliked him – quite the opposite. But he felt like a peripheral character in his own series, so on the fringe that I forgot about him. He fell into the passive narration too often instead of the active storyteller that I longed for.
Michaela, Dylan and the entire cast of characters that made appearances in Gone captivated me. They were fascinating, terrifying, and entirely too real for my comfort. (Let’s just say I got up to double check the locks more than once that night.)
I loved the dive into the psychological element of crime that Gone takes; it brings a new element to the standard police procedural. Who better to examine the psyches of a criminal than a forensic psychologist?
Ultimately, I think I need to give Alex another go. But this time, I think I’ll start at the beginning.