Publisher: Signet Book, March 2000
"New York Times" Bestselling author. Her first contemporary suspense-now repackaged! Beautifully repackaged for her ever-growing legion of fans, this is the explosive story of how one woman must survive the destruction of her perfect life-and the intentions of three mysterious men.
I hate marking books DNF. Even though I’m coming to terms with it, it’s still a struggle because I know this is an author’s baby, their pride and joy. But sometimes, an individual book and I just aren’t a match. That’s what happened with these three.
Hearing so much about Catherine Coulter, I couldn’t wait to start reading her work. Being the slightly-Monk-like OCD person I am, I wanted to start at the beginning, or as close as I could get to her work. Which is what lead me to False Pretenses.
I was hoping for a Theresa Russell–Black Widow type character, or at least some kind of character growth. But concert pianist Elizabeth Carleton is meek and stilted. As the main character and focus of the plot, she needed to come alive to create the kind of tension False Pretenses needs to be alive. Instead, she just remains words on a page.
Without the great protagonist, the story sorely needed, the rest of the characters and their motives only fell flat. It was hard to believe all those men fell in love with her, making their own characters suspect and unbelievable.
Is there another Catherine Coulter book I should try? What do you recommend?Blush by Cherry Adair
Publisher: Gallery Books, April 2015
In the same pulse-pounding style as Maya Banks and Kresley Cole, New York Times bestselling author Cherry Adair delivers a sizzling erotic romance about a sexy billionaire who’s on the run—and the hit-man-turned-handyman who’s supposed to kill her.
Sex with a stranger. Learn to drive. Learn to cook. Learn to pole dance. Sex under the stars. Buy a truck. These are just a few of the things on Amelia Wentworth’s bucket list, but as the CEO and face of a multi-billion-dollar cosmetic empire, she’s never quite found the time to do them.
Until, after a series of accidents, Amelia discovers that someone wants her dead. But who? And why? She has no time for questions as she changes her name to Mia, buys a secluded fixer-upper near the Louisiana bayou where no one will recognize her, and starts checking things off her bucket list like there’s no tomorrow—which there might not be.
Meanwhile, Cruz Barcelona is a hit man who’s promised himself this will be his last job. Then he’ll take the money and move to a warm, sunny place where he doesn’t have to hide anymore. But when Cruz goes undercover to Mia’s ramshackle house, he starts to realize there’s far more to this poor-little-rich-girl than he thought—and he starts to fall for her. Which is going to make his job a whole lot harder…
A cosmetics CEO on the run, determined to cross off her bucket list. A dark assassin hired to kill her. Irresistible chemistry…right?
That’s what I’d hoped for when I grabbed Cherry Adair’s Blush off the shelf. Sure, the cover is a little more suggestive than I typically like to go for, but hey, I’ll try it. But when the protagonists start doing the dirty in the first chapter of the book, something’s off.
If you’ve been with me for a while or looked around on the blog, you’ll know I have no problem with sex scenes. However, I think these should be used to empower the story/character relationships/plot points. Blush uses them as plot points.
It felt like every time I turned the page, they were going at it again. There was no character growth in the first fifty pages. Instead, Cruz has an interior monologue about how he should complete his assignment and move on. Then Amelia walks in the room, and all bets are off.
Maybe Blush got better as it went, but after fifty pages of sex scenes, I was ready to DNF.Fallen by Karin Slaughter
Series: Will Trent,
Publisher: Arrow, June 2012
Special Agent Faith Mitchell returns home to a nightmare. Her baby daughter Emma has been locked outside, and there's a trail of blood to the front door.
Without waiting for back-up, Faith enters the house. Inside a man lies dead in a pool of blood. Most worrying of all, her mother is missing.
When the Atlanta police arrive, Faith has some difficult questions to answer. But she has some desperate questions of her own. What were the killers searching for? And where is her mother?
Suspended from duty, Faith turns to her work partner, Will Trent. Together he and Sara Linton must piece together the fragments of a brutal and complicated case, and catch a vicious murderer with only one thing on his mind.
To keep on killing until the truth is finally revealed.
Police procedurals are my guilty pleasure this year. The complex relationships between the characters, the horrible crimes, the question of whether to stick by the book…I’m all about it.
Yet Karin Slaughter’s Fallen didn’t have that same magic for me. Maybe it was coming in on the fifth book of the Will Trent series instead of the first, but I couldn’t get past the first fifty pages and this book ended up on the DNF pile. I wanted to like it (love it, actually), but the characters weren’t there to draw me in. Instead, I found myself reading the same passages over and reaching for different books on my nightstand over this one.